"Underlying Factors: Artists Inspired by Geology" will open at the Auburn gallery Friday alongside "Bedrock Revealed: Geologic Landscapes" and "The Disappearing Tiny Beasts of My Imaginings." While all three exhibits feature work rooted in the earth, "Underlying Factors" finds one artist, Lauren Rosenthal, looking to the Finger Lakes themselves to follow her own geological themes.
A resident of Lambertville, New Jersey, Rosenthal was at the Schweinfurth Tuesday to install the centerpiece of her part of "Underlying Factors": An 8-foot wall painting of Owasco Lake and its tributaries. But there's more to the monochromatic image than the long waterbody and all the venous lines branching from it — Rosenthal painted it with the very rock that water reaches.
Specifically, Rosenthal made the paint she used in the image from rocks she gathered at Fillmore Glen State Park in May. In the area to study the Owasco Lake watershed, she lugged away from the park more than 5 pounds of gray-brown shale that she later ground into fine powder using a 5-pound sledgehammer, mortar and pestle. To make the paint, she simply added water.
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Before coming back to Cayuga County to install the wall painting, though, Rosenthal completed 11 paper drawings — one of each Finger Lake — using the rock paint and some gum arabic so it would stick to the paper. With data from geographic information system software, she mapped the hydrology and topography of each lake's watershed without any cities, roads or other landmarks.
Rosenthal said both the resulting paper drawings and the Owasco Lake wall painting resemble several other natural patterns, such as leaves, wood grain and weathered bone.
"It's very abstract. The purpose of that is to help us look at the marks that water makes on the land," she said, noting that she used water to trace the tributaries, effectively eroding the paint.
Although Rosenthal became familiar with Owasco Lake's recent harmful algal bloom outbreaks during her research, she said it didn't pointedly influence her work. However, she continued, she hopes that work inspires Schweinfurth patrons to "think about how the way it looks is connected to other kinds of systems. ... The work is really about how we're all connected to each other."
Rosenthal also hopes her "Underlying Factors" work will find a permanent home at another local institution after its time at the Schweinfurth, keeping it in the Finger Lakes region that inspired it.
Joining Rosenthal in "Underlying Factors" is Geoffrey Booras, who sculpts drill bits and uses Marcellus shale to explore fossil fuel overuse and other themes at the nexus of science, technology and nature. The exhibit's third artist, Laura Moriarty, paints and sculpts with a wax medium through the same processes that shape the earth: heating and cooling, friction, weathering and more. And in Gallery Julius, Ellen Haffer celebrates the bees, butterflies, fireflies and other tiny creatures in danger due to environmental threats in "Disappearing Tiny Beasts."
Rosenthal's journey to the Schweinfurth extends from the lead exhibit opening Friday, "Bedrock Revealed." She's a friend of its featured artist, Jonathan Wells, whose images of the earth's bedrock also source GIS data, as well as photography. It can take years to compose that research into a single image, Rosenthal said — "a picture of what it'd look like if you took a slice out of the earth."
"The amount of space in an image dedicated to the rock layers, the earth layers, is incredible compared to the amount of space dedicated to the small sliver of surface we live on," she continued. "It's incredibly humbling to think how insignificant our little world we build on top of the earth is compared to this crazy rock we live on."